Hugh Jackman spent years building Wolverine’s body. Singing and dancing his way through The Greatest Showman proved an even tougher challenge—and brought him back to the kind of performing he loves.
Four hours in make-up were only the beginning. In Darkest Hour, Gary Oldman wanted to find the vulnerable human being beneath the monument to Winston Churchill.
A kidnapped grandson, a billionaire who refuses to pay, and a director who replaced his leading actor at the last minute.
A battle over the Pentagon Papers becomes an urgent argument about journalism, political loyalty and the limits of government power.
James Franco discusses becoming Tommy Wiseau, making The Disaster Artist and why he finally learned to slow down.
Jennifer Lawrence discusses mother!, environmental destruction, equal pay and the limits of what fame should allow the public to demand.
Sam Esmail on the Egyptian roots of Mr. Robot, the consequences of revolution and why being an outsider helped him find his voice.
Julia Roberts discusses Wonder, motherhood, perseverance and why kindness matters.
Kenneth Branagh on reinventing Poirot, assembling an all-star cast, and why Murder on the Orient Express asks a harder question than who did it.
Emma Watson explains why Belle’s work, education and independence matter—and why lasting love depends on more than appearances.
